The second movement- titled “Before and after the two B’s” for Bartok and Boulez-has melodic charm, but evokes the former a little too strongly to sound original. It was easy to guess exactly what the first movement, “Hot and Cold,” would sound like before it started: “hot” is fast and loud (mostly scampering), “cold” is slow and quiet (mostly glassy chords). Ultimately, the work sounds too much like a greatest hits of late 20th-century string quartet techniques. Shepherd’s keen ear for sonority doesn’t lead him astray, but the piece’s various episodes lack freshness and cohesion. The contemporary work was Sean Shepherd’s finely crafted String Quartet No. His opening solo in the second movement and his cadenza in the third had a plangent, pleading vocal quality that stood apart from the distinctly stringy sound of the rest of the piece. Their careful attention to articulation made each theme distinctive.Īll four players get solo passages in the piece, but the standout contributions were from cellist Brandon Vamos. The Pacifica Quartet emphasized the piece’s dance-like qualities, playing strong accents only where Prokofiev requests them, rather than delivering the kind of unsubtle, rough-and-tumble performance that Prokofiev often elicits. The results are stunning, with a particularly haunting Adagio second movement. Although Prokofiev was not generally inclined to draw upon folk music, a government official “persuaded” him. The quartet was an atypical genre for him and this specific work has an atypical inspiration: the folk music of Kabardino-Balkaria in the Caucuses, where he sheltered during the Nazi invasion of the Soviet Union. The first was Prokofiev’s String Quartet No. On Friday night in Mandel Hall, the quartet played a program consisting of a neglected 20th century work, a contemporary work, and one warhorse. Happily for Chicago audiences, the Bloomington-based group has returned to that role this fall for a one-year appointment to mark the Randel’s tenth anniversary season. They’re back! The Pacifica Quartet previously enjoyed a 17-year association at the University of Chicago as resident artists-three of them as the Don Michael Randel Ensemble-in-Residence from 2013–16. We hope you can find the perfect fit here at Noteworthy, where we aspire to make learning music fun for everyone.The Pacifica Quartet performed Friday night at Mandel Hall. Everyone can have a positive relationship with music, you just need to find the right fit. Our goal when we opened Noteworthy was to create a school where that relationship with music was put well above the need to be "perfect". Often, the joy and fun of music are lost in the endless pursuit of perfection. Those of us who have grown up pursuing music know that it can be very overwhelming at times - Trying to master every style and impress every teacher. Wonderful things fell into place and the opportunity to open within the Bethany Community Center presented itself, and thus Noteworthy was born! After both graduating college with degrees pertaining to music, we got married! Soon after, we started to dream of opening our own music school one day. We met in our high school concert band in Little Falls, New Jersey. Pat first fell in love with the drum set at an early age and then expanded to the guitar, bass, piano, percussion, and even the banjo! Rebecca studied voice, piano, percussion, acting, and anything she could get her hands on. Music is what we know, what we do, and what brought us together! Individually, we studied music for most of our childhoods. We are Pat and Rebecca Lapinski, owners and founders of Noteworthy Academy of Music.
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